<![CDATA[猫，诗意的安居。

<![CDATA[猫，诗意的安居。 - 猫说话]]> http://www.yes028.com/vapor/ zh-cn PBlog2 v2.4 猫，诗意的安居。 http://www.yes028.com/vapor/images/logos.gif http://www.yes028.com/vapor/ 猫，诗意的安居。 http://www.yes028.com/vapor/article.asp?id=169 <![CDATA[无题]]> myvapor@gmail.com(多多) Sat,12 Dec 2009 14:07:40 +0800 http://www.yes028.com/vapor/default.asp?id=169 不作害羞的事，不求自己的益处，不轻易发怒，不计算人的恶，
不喜欢不义，只喜欢真理；
凡事包容，凡事相信，凡事盼望，凡事忍耐。
爱是永不止息。
——新约·哥林多前书第13章4－8节

Love suffers long and is kind; love does not envy; love does not parade itself, is not puffed up;
Does not behave rudely, does not seek its own, is not provoked, thinks no evil;
Does not rejoice in iniquity, but rejoices in the truth;Bears all things, believe that things, hopes all things, endures all things.Love never fails.

]]> http://www.yes028.com/vapor/article.asp?id=150 <![CDATA[《生人勿近》导演访谈]]> myvapor@gmail.com(多多) Thu,26 Mar 2009 16:24:04 +0800 http://www.yes028.com/vapor/default.asp?id=150 By Kellvin Chavez on October 20, 2008

A film that has already garnered 13 awards, Tomas Anderson's "Let The Right One In" is the newest vampire movie,, but one with a twist. In this exclusive interview with the director, Tomas talks about his work on the film, how other vampire movies like The Lost Boys(《捉鬼小精灵》) or the Twilight(《暮光之城》) series haven't been an influence (He's never seen Lost Boys or read the Twilight books). Tomas also discusses the use of CGI(电脑特效) and how it can be overdone, bullies and a the difficulty in casting.

What made you want to do this film based on the novel?

Alfredson: When I read the novel three years ago I was really struck by the story about the bullied boy, Oskar, and how brave he was and how unsentimental the story was told. It's a story of a twelve year old boy carrying this horrific situation. That was the strongest component for me.

How difficult it is for you to do a film based on a novel?

Alfredson: Well, I've mostly worked in comedy before this and so this(导演以前是拍喜剧的), to do cinematize violence was very hard for me or to do scary stuff. It's an easy thing to make an audience feel sick or to make gory pictures, but to really frighten an audience is very hard. So that was the biggest thing for me to do, to find a way to make it horrifying.

How much collaboration did you have with the novelist? I heard that he helped with the screenplay.

Alfredson: He had written the screenplay as well(小说作者也是本片的编剧). We worked together, John [Ajvide Lindqvist] on the adaptation. I was the reader and he was the writer. I had some ideas and some input and it was a very interesting process. It's also a very hard thing for a novelist to do, a screenplay on your own material because you have to leave many things out. But he did a great job I think.

How difficult was it to cast these two kids in these roles?

Alfredson: It was a very big thing to find them. It took us nearly a year. It wasn't just about finding the boy and then find the girl. We had to find this couple because I think these two children, they really are the same character. They're the two sides of the same coin and they had to look as different as possible. I look upon them though as if they were the same person(两个主角其实是一种人，但又要看起来很不一样).

What I liked as well is that the film is more of a relationship film than a horror movie. Was that your intent going into the film?

Alfredson: Yes. I really don't know anything about horror really and so I had to use the things that I'm able to work with. I'm very interested in human relations. So that was my way into the drama.

How would you separate this film from other vampire films that you've seen?

Alfredson: I haven't seen any really. Well, I've seen some when I was a kid on television, but I haven't studied vampire films specifically before working with this.

So you never saw 'The Lost Boys'?

Alfredson: No. I haven't seen that.

'Twilight' is a vampire film coming out next month and I think this is an adult version of that. Have you heard of that film or read those novels?

Alfredson: No. I don't know anything about it.

Were there any moments of in the film that you had to leave out of the final cut that we might see later?

Alfredson: No. It's basically what it was designed as from the beginning. A big difference between the novel and the film is that the character Hakan, the grownup who's living together with Eli, in the book he's an outspoken pedophile(小说里帮Eli杀人取血的其实是个恋童癖，好像是导演故意不想在片子里表现出来), but that was a very big thing to leave out and it's very, very hard to have such a theme on film, I think. You have to take a big responsibility for such a theme and we didn't want to let the film be about that.

How much did these kids have to really suffer in the weather?

Alfredson: Well, it was very cold. Some of the scenes are made in a super cool studio so that it would be a little easier to keep them warmed, but that was a big problem when we made the film. They were very brave and very decisive.

Did they do most of their stunts, except for Eli who's obviously not going to jump off of a building?

Alfredson: Most of the stunts they did themselves.

The FX that you guys have are great. How much CGI did you use?

Alfredson: There is a lot of CGI in the film, but it's used with a very delicate hand. I find that everyone uses CGI they really push up the volume button to maximum. A car explodes and instead of a small explosion it'll explode for ten minutes without a reason really. So it's a fantastic thing to have the reach so that you can use CGI, but in this case we used it with very, very spare hands.

I thought the pool scene was incredible. It is the best scene in the film. I said while watching that you had to use some CGI in there.

Alfredson: Well, it's a very complicated scene.

But at the same time it doesn't look like you used CGI.

Alfredson: No. It has a very analog look. The film has a very analog look and we wanted it to look very analog. It's made on film and the lightening that you see is the lightening that we used. So there's no sort of making up CGI. It's just some details in each frame that we used that's CGI. Otherwise it's an old fashioned filmmaking hand.

Is there a back story for the boy and his father's relationship? We never seem to get into their relationship and understand it?

Alfredson: Yes. This came as a surprise to me, but in several screenings people have asked me if the father was a homosexual.

Right. I didn't want to say that, but it does appear like that.

Alfredson: Okay. It never entered my mind, but I think that's a cultural difference between the USA and Sweden. In Sweden we do come over to each other without –

I understand.

Alfredson: So that's a big difference, and if you live in the countryside people will walk over to each other and have a glass of vodka or whiskey or whatever. So that's not a big thing for Swedes. But it was a surprise to me that people though the was a homosexual. His father is an alcoholic and uses the alcohol before his son every time it's attempted. So that's the tragic back story and this is also a portrait of the author's own father who drank himself to death some years ago. It's a very autobiographical story(很多人以为Oscar的父亲是同性恋，导演觉得是因为美国跟瑞典的文化差异。在瑞典住在郊区的人经常走到别人家里只是喝一杯伏特加、威士忌，这不是什么大事。Oscar的父亲是个酒鬼，这是一个悲剧的自传性的故事，小说作者的父亲就是喝酒致死的).

How much research did you guys do on the bullies in order to pick the ones you did because they're really mean?

Alfredson: I have experienced being bullied and in the book that is very thoroughly described, how the bullies worked and looked and how they reacted and acted(导演说他以前有过被欺负的经历，小说里也描述得很彻底). So it was a very interesting theme to look into.

The film is left wide open for a sequel if it does well and it looks like it will do well. Do have another story for this if there was to be a sequel?

Alfredson: No. I'm not a sequel kind of person(导演说不会拍续集，会拍不一样的东西). I think I would do something rather different than this the next time that I do a film.

What is next for you then?

Alfredson: The next thing that I'm doing is a play at the Royal Dramatic Theater in Stockholm which will be a comedy for the stage.

It's been announced that they're doing an English version of this film. What are your thoughts on that?

Alfredson: I really don't know. I'll have to wait and see what they come up with. It's a little strange that someone else is doing the same material before it's even opened. It's kind of a strange feeling, but I mean the story contains a lot of levels, emotional levels and so maybe they've found something that I haven't seen and in that case it'll be interesting. But if they do a very commercialized version I would hate that.
]]> http://www.yes028.com/vapor/article.asp?id=148 <![CDATA[无题]]> myvapor@gmail.com(多多) Sat,21 Mar 2009 14:49:20 +0800 http://www.yes028.com/vapor/default.asp?id=148 不管你带走了什么，我都因为爱过你觉得美。
-- 爱你的妈妈]]> http://www.yes028.com/vapor/article.asp?id=147 <![CDATA[机器猫的结局--转自豆瓣]]> myvapor@gmail.com(多多) Sat,13 Dec 2008 03:01:44 +0800 http://www.yes028.com/vapor/default.asp?id=147 　　主角突然从睡梦中惊醒，发现自己躺在病床上，原来，世界上从没有过机器猫；也没有万能口袋；也没有.....总之，主角是由于极度的自闭症被送入精神病院的病人，已经在医院住了八年，静子是主角儿时暗恋的同伴，主角所有的记忆都停留在八年前的早晨。一切都是主角的幻想，反映了社会的冷漠，也表达了作者对社会的极度失望............
　　后来，由于读者极其反感其结局（同时期自杀率明显UP，至少有16人是直接受其结局影响而对生活感到决望，《机器猫》是这些自杀者唯一美好单纯的心理慰藉），所以才决定不在动画版中使用此结局。（国内当然更看不到）
　　在小学馆的博物管中，珍藏着藤本弘先生的最后一页作品《野比太发条都市大冒险》
　　藤本弘先生并没有完成最后的作品就去世了，死因是积劳成疾。
　　这部作品是藤本弘先生与安孙子素雄先生分开后的作品了.......
　　藤本弘先生一生致力与多拉A梦的创作之中，一直到死为止.........
　　享年64岁......... (默哀中）
　　所以.........多拉A梦是没有最后一集的~~~.........................
　　传闻结局之一：自闭儿童的想像
　　大雄是个自闭症儿童，所有的小叮当的故事其实都只是大雄的想像。换言之，大家陪大雄做了一场好长的梦。
　　传闻结局之二：植物人最后的心愿
　　大雄摔到撞到头，但是没钱动手术，为了大雄，小叮当把所有的道具卖光，但很不幸地手术失败了，大雄成了植物人。最后小叮当拿出以防万一而留下的时空门，让变植物人的大雄开门到他想去的地方，结果大雄想去的地方是天国......
　　Jesus！超级灰色的结局！这真的是我们喜爱的叮当吗？
　　传闻结局之三：小叮当没电了。
　　到底哪个是真的？
　　　事实上，藤子亲笔画过的小叮当结局有三个，基本上都是小叮当回到未来。详述如下：
　　正统结局之一：因为未来人跑来现代观光，造成现代人的困扰，所以未来政府订法律禁止时光旅行，所以小叮当不得不回去。这个结局是连载在小学四年级(昭和46年3月号)。这种小(中)学X年级是给该年级学生看的杂志，内容有好看的漫画，劳作玩具以及该年级学生当月上课内容的复习。是4月开学，读完3月号的小学四年级之后，就要看4月号的小学五年级了，而当时小学五年级并没有连载小叮当，所以该篇算是对小学四年级学生的告别。
　　正统结局之二：大雄的孙子(送小叮当来大雄身边的人)觉得如果小叮当一直在大雄身边，大雄将会变成凡事依赖别人而没有用的人，所以要小叮当回未来。小叮当说不出口，于是小叮当就装病，但是看到大雄真诚担心的表情，小叮当就向大雄说他真正要回未来的原因，大雄说他也是这么想，于是要小叮当放心回未来。从此大雄努力向上，小叮当天天用时光电视看大雄努力的样子。在昭和47年藤子以与第一个结局同样的理由画了这个结局，同时这个结局也成为电视台昭和48年放映的小叮当最后一集的脚本。
　　正统结局之三：
　　编绘于小学三年级(昭和49年3月号)。由于当时电视台的小叮当没人气，以及藤子自己在小学X年级上有其他新连载，因此打算把小叮当作结束。但是后来由于藤子自己对小叮当的热爱，在当年的小学四年级4月号又画了[小叮当归来]。
　　或许藤子自己心中有更严谨的小叮当结局，不过大师已死，所以可能没有人能知道吧！所以，除了曾经出现过的三个结局之外，其他的结局不是谣言就是小叮当爱好者的二次创作。因此，不管小叮当没电或是大雄变植物人，都不是正宗的结局。特别是植物人的结局连藤子都知道，已被他郑重否认了。
　　机器猫的结局官方最终敲定为传闻结局之三：小叮当没电。
　　　某天，大雄如往常般，忘了做作业,在学校被老师骂;也如往常般被技安、阿福他们欺负。就连未来的太太静宜也答应要先嫁给别人。总之，对大雄来讲，生活就是一连串类似事件的反覆。今天跟昨天没什么两样。唯一的变化是，叮当突然变成植物机器。无论大雄怎么踢、打和骂，叮当都没有反应。大雄不知道叮当到底发生了什么事，只伤心得哭了整晚。可是，无论大雄再伤心透了，叮当也只是闻风不动地坐在柱子前。大雄伸手到口袋内试试，但口袋也豪无任何动静。最后大雄想起抽屉里的时间飞行机，就穿著睡衣飞到22世纪去找叮当的妹妹叮铃。
　　　　叮铃还没完全听完说明，就被大雄催著坐上飞行机飞回20世纪。叮铃一看哥哥动也不动，马上知道是电池用完了。正想换电池时，叮铃想起一个非常重大的事。没有备用电源…… 大雄不懂得其中意思，只在一旁催。叮铃只好问大雄：你愿意让哥哥跟你的回忆都消失吗？原来旧型的猫机器人的耳朵里，装有备用电源，以便充电时能保持至今为止的记忆。可是……叮当没有耳朵！（这是众所皆知的吧。）大雄终于里解了事情的困难。种种回忆在大雄的脑海里奔腾大雄跟叮当曾飞到过去、未来，也曾到恐龙世界，海底世界，更在宇宙打过仗……叮铃拼命解释给大雄听。若要装新电池，叮当醒来时会失去一切与大雄曾有过的回忆。若保持现状，记忆不会消失。结果，大雄选择保持现状。此时，大雄还是小学六年级。
　　十数年后……从海外归国的大雄，已成长为英俊迷人的青年，并就职于某家尖端科技的企业。他身边的新娘，正是静宜。当年，叮铃回到22世纪后，大雄只跟身边的人们说，叮当回到未来的世界去了。时日一久，也就没人再提叮当的事。
　　　　不过，叮当其实一直被保管在大雄家的壁橱里。大雄为了修好叮当，拼命用功读书，然后国中、高中、大学，成绩逐年升腾。最后到国外求学。现在，大雄身在他自己的研究室中。他叫来平日严禁其出入研究室的妻子静宜。对她说： "你看，我要按开关了。" 说完，大雄颊上情不自禁流下两串泪珠。他就是为了这一刻，苦学了十几年……为了这一刻，从一个老是忘了做作业、成绩从倒数起算比较快的笨学生，爬到今天的地位……当他开关按下后，久久一阵的静寂，静寂……终于，叮当开口了："大雄，我等你很久了。"
]]> http://www.yes028.com/vapor/article.asp?id=146 <![CDATA[Sims' Anotomy]]> myvapor@gmail.com(多多) Sun,16 Nov 2008 18:14:53 +0800 http://www.yes028.com/vapor/default.asp?id=146 先秀急诊室吧，小人是Grey's Anotomy里的那伙，游泳了刚上来所以都穿的泳衣啦，呵呵。后面再秀主角们。

]]> http://www.yes028.com/vapor/article.asp?id=145 <![CDATA[辛普森的sims家。]]> myvapor@gmail.com(多多) Sun,16 Nov 2008 00:09:06 +0800 http://www.yes028.com/vapor/default.asp?id=145

]]> http://www.yes028.com/vapor/article.asp?id=144 <![CDATA[当你老了。]]> myvapor@gmail.com(多多) Sat,15 Nov 2008 23:35:39 +0800 http://www.yes028.com/vapor/default.asp?id=144        女人到二十五岁就会有一天突然发现自己老了，我听过不同人说的不同版本，也许小时候就听过了，但我就要满二十五岁的这年我劳劳记住了这句话，并试图跟我身边的每一个人说这个道理。这一切都来源于我的法令纹。奇怪的是，这件本应该令人沮丧的事情却让我肾上腺素激增，一下子压力好大，虽然这种压力有可能会陪伴我过完下辈子，但我还是变得疯疯颠颠起来。听说有心理学家建议经常跟自己的身体对话，但我每天用眼霜去镇压它的时候都确实是把它当敌人，很难想像有一天我会跟它聊天，呃~~
       我想我现在比较冷静，以后不再跟人说了吧。
       九零后都上大学了，大家保重身体，还有脸。Go to shopping ba！]]> http://www.yes028.com/vapor/article.asp?id=143 <![CDATA[Trouble is a friend.]]> myvapor@gmail.com(多多) Sat,15 Nov 2008 22:50:46 +0800 http://www.yes028.com/vapor/default.asp?id=143      看实习医生才知道的Lenka，喜欢第8集后面的Trouble is a friend，整张专辑都很好，oh oh。

播放音频文件

在线播放

    Trouble Is A Friend
　　
　　trouble will find you no mater where you go, oh oh.
　　no matter if you're fast no matter if you're slow, oh oh.
　　the eye of the storm and the cry in the morn, oh oh.
　　your fine for a while but then start to loose control.
　　he's there in the dark,
　　he's there in my heart,
　　he waits in the winds
　　he's gotta play a part.
　　trouble is a friend,
　　yeah trouble is a friend of mine. oh oh!
　　
　　trouble is a friend but trouble is a foe, oh oh.
　　and no matter what i feed him he always seems to grow, oh oh.
　　he sees what i see and he knows what i know, oh oh.
　　so don't forget as you ease on down the road.
　　he's there in the dark,
　　he's there in my heart,
　　he waits in the winds
　　he's gotta play a part.
　　trouble is a friend,
　　yeah trouble is a friend of mine. oh oh!
　　
　　so don't be alarmed if he takes you by the arm.
　　i won't let him win, but im a sucker for his charm.
　　trouble is a friend,
　　yeah trouble is a friend of mine. oh oh!
　　oh how i hate the way he makes me feel.
　　and how i try to make him leave; i try.
　　oh oh i try!
　　
　　he's there in the dark,
　　he's there in my heart,
　　he waits in the winds
　　he's gotta play a part.
　　trouble is a friend,
　　yeah trouble is a friend of mine. oh oh!
　　so don't be alarmed if he takes you by the arm.
　　i won't let him win, but im a sucker for his charm.
　　trouble is a friend,
　　yeah trouble is a friend of mine. oh oh!
     ]]> http://www.yes028.com/vapor/article.asp?id=142 <![CDATA[Reality Bites]]> myvapor@gmail.com(多多) Fri,17 Oct 2008 23:43:22 +0800 http://www.yes028.com/vapor/default.asp?id=142              Tempted
    I bought a toothbrush, some toothpaste
    A flannel for my face
    Pyjamas, a hairbrush
    New shoes and a case
    I said to my reflection  Let's get out of this place
    Past the church and the steeple
    The laundry on the hill
    Billboards and the buildings
    Memories of it still
    Keep calling and calling
    But forget it all
    I know i will

    Tempted by the fruit of another
    Tempted but the truth is discovered
    What's been going on
    Now that you have gone
    There's no other
    Tempted by the fruit of another
    Tempted but the truth is discovered

    I'm at the car park, the airport
    The baggage carousel
    The people keep on crowding
    I'm wishing i was well
    I said it's no occasion
    It's no story i could tell

    At my bedside empty pocket
    A foot without a sock
    Your body gets much closer
    I fumble for the clock
    Alarmed by the seduction
    I wish that it would stop

    I bought a novel, some perfume
    A fortune all for you
    But it's not my conscience
    That hates to be untrue
    I asked of my reflection  Tell me what is there to do
]]> http://www.yes028.com/vapor/article.asp?id=140 <![CDATA[寄往海角七号的七封信]]> myvapor@gmail.com(多多) Tue,07 Oct 2008 17:39:16 +0800 http://www.yes028.com/vapor/default.asp?id=140 　　友子，太陽已經完全沒入了海面
　　我真的已經完全看不見台灣島了
　　你還站在那裡等我嗎？
　　
　　
　　友子
　　請原諒我這個懦弱的男人
　　從來不敢承認我們兩人的相愛
　　我甚至已經忘記
　　我是如何迷上那個不照規定理髮
　　而惹得我大發雷霆的女孩了
　　友子
　　你固執不講理、愛玩愛流行
　　我卻如此受不住的迷戀你
　　只是好不容易你畢業了
　　我們卻戰敗了
　　我是戰敗國的子民
　　貴族的驕傲瞬間墮落為犯人的枷
　　我只是個窮教師
　　為何要揹負一個民族的罪
　　時代的宿命是時代的罪過
　　我只是個窮教師
　　我愛你，卻必須放棄你
　　
　　
　　
　　第三天
　　該怎麼克制自己不去想你
　　你是南方艷陽下成長的學生
　　我是從飄雪的北方渡洋過海的老師
　　我們是這麼的不同
　　為何卻會如此的相愛
　　我懷念艷陽…我懷念熱風…
　　我猶有記憶你被紅蟻惹毛的樣子
　　我知道我不該嘲笑你
　　但你踩著紅蟻的樣子真美
　　像踩著一種奇幻的舞步
　　憤怒、強烈又帶著輕挑的嬉笑…
　　友子，我就是那時愛上你的…
　　多希望這時有暴風
　　把我淹沒在這台灣與日本間的海域
　　這樣我就不必為了我的懦弱負責
　　
　　
　　
　　友子
　　才幾天的航行
　　海風所帶來的哭聲已讓我蒼老許多
　　我不願離開甲板，也不願睡覺
　　我心裡已經做好盤算
　　一旦讓我著陸
　　我將一輩子不願再看見大海
　　海風啊，為何總是帶來哭聲呢？
　　愛人哭、嫁人哭、生孩子哭
　　想著你未來可能的幸福我總是會哭
　　只是我的淚水
　　總是在湧出前就被海風吹乾
　　湧不出淚水的哭泣，讓我更蒼老了
　　可惡的風
　　可惡的月光
　　可惡的海
　　
　　
　　十二月的海總是帶著憤怒
　　我承受著恥辱和悔恨的臭味
　　陪同不安靜地晃盪
　　不明白我到底是歸鄉
　　還是離鄉！
　　
　　
　　
　　傍晚，已經進入了日本海
　　白天我頭痛欲裂
　　可恨的濃霧
　　阻擋了我一整個白天的視線
　　而現在的星光真美
　　記得你才是中學一年級小女生時
　　就膽敢以天狗食月的農村傳說
　　來挑戰我月蝕的天文理論嗎？
　　再說一件不怕你挑戰的理論
　　你知道我們現在所看到的星光
　　是自幾億光年遠的星球上
　　所發射過來的嗎？
　　哇，幾億光年發射出來的光
　　我們現在才看到
　　幾億光年的台灣島和日本島
　　又是什麼樣子呢？
　　山還是山，海還是海
　　卻不見了人
　　我想再多看幾眼星空
　　在這什麼都善變的人世間裡
　　我想看一下永恆
　　遇見了要往台灣避冬的烏魚群
　　我把對你的相思寄放在其中的一隻
　　希望你的漁人父親可以捕獲
　　友子，儘管他的氣味辛酸
　　你也一定要嚐一口
　　你會明白…
　　我不是拋棄你，我是捨不得你
　　我在眾人熟睡的甲板上反覆低喃
　　我不是拋棄你，我是捨不得你
　　
　　
　　
　　天亮了，但又有何關係
　　反正日光總是帶來濃霧
　　黎明前的一段恍惚
　　我見到了日後的你韶華已逝
　　日後的我髮禿眼垂
　　晨霧如飄雪，覆蓋了我額上的皺紋
　　驕陽如烈焰，焚枯了你秀髮的烏黑
　　你我心中最後一點餘熱完全凋零
　　友子…
　　請原諒我這身無用的軀體
　　
　　
　　海上氣溫16度
　　風速12節、水深97米
　　已經看見了幾隻海鳥
　　預計明天入夜前我們即將登陸
　　友子…
　　我把我在台灣的相簿都留給你
　　就寄放在你母親那兒
　　但我偷了其中一張
　　是你在海邊玩水的那張
　　照片裡的海沒風也沒雨
　　照片裡的你，笑得就像在天堂
　　不管你的未來將屬於誰
　　誰都配不上你
　　原本以為我能將美好回憶妥善打包
　　到頭來卻發現我能攜走的只有虛無
　　我真的很想妳！
　　啊，彩虹！
　　但願這彩虹的兩端
　　足以跨過海洋，連結我和妳
　　
　　
　　
　　友子，我已經平安著陸
　　七天的航行
　　我終於踩上我戰後殘破的土地
　　可是我卻開始思念海洋
　　這海洋為何總是站在
　　希望和滅絕的兩個極端
　　這是我的最後一封信
　　待會我就會把信寄出去
　　這容不下愛情的海洋
　　至少還容得下相思吧！
　　友子，我的相思你一定要收到
　　這樣你才會原諒我一點點
　　我想我會把你放在我心裡一輩子
　　就算娶妻、生子
　　在人生重要的轉折點上
　　一定會浮現…
　　你提著笨重的行李逃家
　　在遣返的人潮中，你孤單地站著
　　你戴著那頂…
　　存了好久的錢才買來的白色針織帽
　　是為了讓我能在人群中發現你吧！
　　我看見了…我看見了…
　　你安靜不動地站著
　　你像七月的烈日
　　讓我不敢再多看你一眼
　　你站得如此安靜
　　我刻意冰涼的心，卻又頓時燃起
　　我傷心，又不敢讓遺憾流露
　　我心裡嘀咕，嘴巴卻一聲不吭
　　我知道，思念這庸俗的字眼
　　將如陽光下的黑影
　　我逃他追…我追他逃…
　　一輩子
　　
　　
　　
　　我會假裝你忘了我
　　假裝你將你我的過往
　　像候鳥一般從記憶中遷徙
　　假裝你已走過寒冬迎接春天
　　我會假裝…
　　一直到自以為一切都是真的！
　　然後…
　　祝你一生永遠幸福！
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